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NEW QUESTION: 1
Art is visible. However, everything one sees is filtered through certain conditions, some of them historical, and others, natural. The historical conditions include the material, which is used - oil, colors, and the canvas; second, a certain style, i.e., a system of rules by which things visible are submitted a priori. There can be a general style, for example, the style of Impressionism, or a particular style, for example, the individual ways in which two painters, both impressionists, paint. The natural conditions include certain unchanging psychological laws of sight, for instance, the effects of colors or optical illusions.
The conditions of art are nothing but a particular way of interpreting reality. To understand this, one can examine the difference between the classical Greek and the classical Egyptian styles. For the Greeks, the reality of the visible was given by the perspective and the situation in which the object appears; for that reason, they presented a person in his individual movements. For the Egyptians, however, this was only the appearance of a transitory moment, which, according to their beliefs, was not real. Therefore, the Egyptians searched for the permanent essence and the typical character in their depiction of an object. For the Egyptians, Greek art was an illusion; for the Greeks, on the other hand, Egyptian art was unrealistic constructivism.
The way in which reality appears in art must not be regarded on its own. It is affected by many other systems of recognizing reality, including the political, religious, economic, intellectual, and social - in short, all the phenomena of human life. Moreover, art is always of a certain epoch, with its particular conception of reality. Thus, when discussing, for example, the art of ancient myth, of medieval Christianity, or that of the technological age, one must be aware that myth, Christianity, or technology was the most salient feature of the epoch.
It is paradoxical to understand art as some kind of copy of the fields of experience connected with it. So, for example, it is meaningless for the work of art as such if one compares the landscape of a painting with the landscape, which served the artist as his model. Even if the artist had tried to make what he painted as similar as possible to the model he used, the landscape which he saw is only the matter from which something completely different emerges since he has submitted its view to the a priori conditions of art:
namely to the material used (colors, canvas, etc.), to his style, and even to the fact that he paints on a flat surface. Thus one must contemplate a work of art by itself. Even if it is connected to other fields of experience it nevertheless displays something unique which appears in that piece of art and there alone.
The author cites the example of psychological laws of sight, for instance, the effects of colors or optical illusions in order to illustrate
A. Laws of history, which are affected by nature
B. Laws of nature, which change history
C. Laws of nature, which are affected by history
D. Laws of nature, which are not affected by history
E. Laws of history, which are not affected by nature
Answer: D
Explanation:
Explanation/Reference:
Explanation:
The best answer is A.
The author details two kinds of conditions, historical and natural. The natural conditions are said to be unchanging, therefore not affected by history.

NEW QUESTION: 2
Which of the following is the certifying body of forensics labs that investigate criminal cases by analyzing evidence?
A. The American Society of Crime Laboratory Directors (ASCLD)
B. International Society of Forensics Laboratory (ISFL)
C. The American Forensics Laboratory for Computer Forensics (AFLCF)
D. The American Forensics Laboratory Society (AFLS)
Answer: A

NEW QUESTION: 3
You are developing an ASP.NET Core website that can be used to manage photographs which are stored in Azure Blob Storage containers.
Users of the website authenticate by using their Azure Active Directory (Azure AD) credentials.
You implement role-based access control (RBAC) role permission on the containers that store photographs. You assign users to RBAC role.
You need to configure the website's Azure AD Application so that user's permissions can be used with the Azure Blob containers.
How should you configure the application? To answer, drag the appropriate setting to the correct location. Each setting may be used once, more than once, or not at all. You may need to drag the split bar between panes or scroll to view content.
NOTE: Each correct selection is worth one point.

Answer:
Explanation:

Explanation:
Box 1: user_impersonation
Box 2: delegated
Example:
* Select the API permissions section
* Click the Add a permission button and then:
Ensure that the My APIs tab is selected
* In the list of APIs, select the API TodoListService-aspnetcore.
* In the Delegated permissions section, ensure that the right permissions are checked: user_impersonation.
* Select the Add permissions button.
Box 3: delegated
Example
* Select the API permissions section
* Click the Add a permission button and then,
Ensure that the Microsoft APIs tab is selected
* In the Commonly used Microsoft APIs section, click on Microsoft Graph
* In the Delegated permissions section, ensure that the right permissions are checked: User.Read. Use the search box if necessary.
* Select the Add permissions button
References:
https://docs.microsoft.com/en-us/samples/azure-samples/active-directory-dotnet-webapp-webapi-openidconnect-aspnetcore/calling-a-web-api-in-an-aspnet-core-web-application-using-azure-ad/